Inscription meaning in history

Carved into rock surfaces centuries ago, the inscription in Maharashtra stand as examples of the finest that Indian art has to offer. The inscription is the historical, religious, or other record cuts, impressed, painted, or written on stone, brick, metal, or other hard surfaces. Naneghat Inscription Photo 20Eye copy by Sykes of Naneghat Inscription Numerals script history of Ancient India Ancient Naneghat Inscriptions INSCRIPTION Meaning? • This showcases a lot about ancient cultures and their beliefs. • Matter on it gives information about birth, death, and other important events that took place in that century. • It also helped to study painting, sculpture, and literature. • It also gives us valuable and approximate information about the ancient kings and queens, their names, their food habits, and also about flora and fauna in that place, during that time. • The language and the style of writing will throw light on their economic and cultural lifestyles. • For example, the Mandosore Stone Inscriptions during the reign of Kumar Gupta and Bandhuvarman of the Malwa dynasty indicates the use of seals for commercial purposes. If we study these inscriptions carefully, we can collect information about the political-religious, social, historical, and economic conditions of ancient India as well as details, traditions, Literature, scripts, and administrative system. Marathi Inscription at Salher Fort, Baglan Persian Inscription at Sajjangad Fort, Satara Farsi Inscriptions at Dh...

Rebecca Benefiel stepped into the tiny dark room on the first floor of the House of Maius Castricius. Mosquitoes whined. Huge moths flapped around her head. And – much higher on the ick meter—her flashlight revealed a desiccated corpse that looked as if it was struggling to rise from the floor. Nonetheless, she moved closer to the walls and searched for aberrations in the stucco. She soon found what she was looking for: a string of names and a cluster of numbers, part of the vibrant graffiti chitchat carried on by the citizens of Pompeii before Mount Vesuvius erupted in A.D. 79 and buried their city in a light pumice stone called lapilli. “There are a few hazards to this work,” laughs Benefiel, a 35-year old classicist from Washington and Lee University who has spent part of the past six summers in Pompeii. “Sometimes the guards forget to let me out of the buildings at the end of the day!” Regardless, she’s always eager to return. Vesuvius dumped ashes and lapilli on Pompeii for 36 hours, sealing the entire city up to an average height of 20 feet. Since the 18th century, archaeologists have excavated about two-thirds, including some 109 acres of public buildings, stores and homes. The city’s well-preserved first level has given archaeologists, historians and classicists an unparalleled view of the ancient world, brought to a halt in the middle of an ordinary day. From the very beginning, archaeologists noticed copious amounts of graffiti on the outsides of buildings. In th...

The Emperor Constantine, called Constantine the Great, was significant for several reasons. These include his political transformation of the Roman Empire, his support for Christianity, and his founding of Constantinople (modern day Istanbul). Constantine’s status as an agent of change also extended into the realms of art and architecture. The Triumphal Arch of Constantine in Rome is not only a superb example of the ideological and stylistic changes Constantine’s reign brought to art, but also demonstrates the emperor’s careful adherence to traditional forms of Roman Imperial art and architecture. Reconstruction of the location of the Arch of Constantine (lower left) and the sculpture of the Colossus of the Sun (center)—both situated between the Temple of Venus and Roma (far left) and the Flavian Amphitheater (Colosseum—right), model © 2008 The Regents of the University of California; image © 2008 The Board of Visitors of the University of Virginia. Courtesy Dr. Bernard Frischer (Rome Reborn 2.0) The Arch of Constantine is located along the Via Triumphalis in Rome, and it is situated between the Flavian Amphitheater (better known as the Colosseum) and the Temple of Venus and Roma. This location was significant, as the arch was a highly visible example of connective architecture that linked the area of the The monumental arch stands approximately 20 meters high, 25 meters wide, and 7 meters deep. Three portals punctuate the exceptional width of the arch, each flanked by par...

• Name of Work: Behistun Inscription • Artist or Architect: Darius the Great, ruled 522–486 BCE • Style/Movement: Parallel CuneiformText • Period: Persian Empire • Height: 120 feet • Width: 125 feet • Type of Work: Carved inscription • Created/Built: 520–518 BCE • Medium: Carved Limestone Bedrock • Location: Near Bisotun, Iran • Offbeat Fact: The earliest known example of political propaganda • Languages: Old Persian, Elamite, Akkadian The carving is located near the town of Bisotun, Iran, about 310 miles (500 kilometers) from Tehran and about 18 mi (30 km) from Kermanshah. The figures show the crowned What It Means Most scholars agree that the Behistun inscription is a bit of political bragging. Darius's main purpose was to establish the legitimacy of his claim to Cyrus the Great's throne, to which he had no blood connection. Other bits of Darius's braggadocio are found in others of these trilingual passages, as well as big architectural projects at Historian Jennifer Finn (2011) noted that the location of the cuneiform is too far above the road to be read, and few people were likely literate in any language anyway when the inscription was made. She suggests that the written portion was meant not only for public consumption but that there was likely a ritual component, that the text was a message to the cosmos about the king. Translations and Interpretations Henry Rawlinson is credited with the first successful translation in English, scrambling up the cliff in 1835, and ...