Michael keaton

• Afrikaans • العربية • Asturianu • Azərbaycanca • تۆرکجه • বাংলা • Bân-lâm-gú • Беларуская • Български • Bosanski • Català • Cebuano • Čeština • Cymraeg • Dansk • Deutsch • Eesti • Ελληνικά • Español • Euskara • فارسی • Français • Gaeilge • Galego • 한국어 • Հայերեն • Hrvatski • Ido • Bahasa Indonesia • Italiano • עברית • ქართული • Қазақша • Kreyòl ayisyen • Кыргызча • Latina • Latviešu • Magyar • Македонски • Malagasy • მარგალური • مصرى • Bahasa Melayu • Монгол • Nederlands • 日本語 • Norsk bokmål • Occitan • Oʻzbekcha / ўзбекча • Polski • Português • Română • Русский • Simple English • Slovenčina • Slovenščina • Српски / srpski • Srpskohrvatski / српскохрватски • Suomi • Svenska • தமிழ் • ไทย • Türkçe • Українська • Tiếng Việt • Winaray • 吴语 • 粵語 • 中文 ​( m.1982; div.1990) ​ Partner Children Awards Michael John Douglas (born September 5, 1951), known professionally as Michael Keaton, is an American actor. He is known for his Keaton gained early recognition for his comedic roles in Keaton had a career resurgence with his starring role as a faded actor attempting a comeback in On television, Keaton has starred as a journalist in the Early life [ ] Michael John Douglas, the youngest of seven children, was born at Career [ ] 1975–1982: Early work [ ] Keaton first appeared on TV in the Pittsburgh public television programs Where the Heart Is and Mister Rogers he played one of the "Flying Zookeeni Brothers" Fred Rogers: America's Favorite Neighbor; Keaton left Pittsburgh and moved t...

Watch Video: 'The Flash': Michael Keaton's Batman returns in DC superhero epic What’s up with superhero movies about time travel? In “The Flash,” the latest entry in That means we get scenes of people solemnly warning our spandex-wearing heroes not to mess with the whole space-time continuum — advice that is quickly ignored, leading to galaxy-threatening events. (Insert a “we’ve seen and done that” eye roll here.) So yeah, when “The Flash” trots out the now tired plot “multiverse” time-traveling convention, it wouldn’t be an unfair reaction to groan and say, “Ugh, not again.” Director Andy Muschietti keeps the multiverse plot entertaining But surprisingly, writer-director Andy Muschietti — who’s best known for adapting “It” into one half of a terrific film series in 2017 and 2019 — mostly makes the latest entry in the DC Superhero Universe work by not taking the material too seriously and letting his talented cast not get overwhelmed by the time traveling/multiple universe plot. During the film’s multiverse climax, Muschietti cleverly shouts out to Making things work, too, is the lead performance by Ezra Miller, That he pulls off playing the same character at two different ages and two universes — and yeah, don’t ask how all this works on the space-time-continuum because it will just make your head hurt — adds to the fun of his performance. (By the way, if you want to see how talented Miller is, check out his frightening performance as a homicidal teen in “We Need To Talk ...

The Odd Couple. [Ed. note: it's true]....And they gave me the green light to riff a lot, so I did." On opening day, he remembers, "I purposely went to see it alone. I wanted to sit right there in the middle of the theater in the afternoon, and it was wonderful. I don't know any other word to use, to tell you the truth." So where, these days, is his character's trademark satin bomber jacket? Keaton laughs. "You know what, I try to keep a little something for me and also to hand down to kids and grandkids, and that's one of the few things from that movie that I hung onto." Penned by a then-unknown As for the late Hughes, "I remember sitting at the Palm having lunch with him on Santa Monica Boulevard. I listened to him talk, and I said to him, 'Why don't you direct this movie? You know how to make this.' [Stan Dragoti would helm it instead.] He was unbelievable, just how prolific he was, how he had his finger on the pulse. He was the voice of a generation in terms of movie comedies, you know?" The fact that director But once he signed on, "It was off to the races. I called the wardrobe department and I said, 'Send over racks to my house, clothes all time periods.' I went to the makeup artist, Ve Neill, and said, 'I want mold on my face. My hair has to look like I stuck my finger in an electric socket.' She came up with the eyes, Tim had the idea of the striped suit, and I said, 'These are his teeth. This is his skin.' Beetlejuice is the ultimate this." [My character] isn't ev...

Now is the summer of our discontinued retirement. Harrison Ford’s Indiana Jones returns later this month for “Indiana Jones and the Dial of Destiny.” Meantime, and we’ll take the good news where we can find it: Michael Keaton’s back as Batman in “The Flash,” a stand-alone DC Comics movie devoted to Barry Allen/The Flash, but periodically elevated by Keaton’s low-keyed, high-impact charisma as Bruce Wayne/Batman. Also the new Supergirl, played by Sasha Calle — she’s good. Good, and feral. The movie is OK, and less feral. Keaton’s introduced as the scraggly, insanely rich hermit landlord and resident of Wayne Manor, pressed into Earth-saving service by two versions of Barry. Ezra Miller, whose Flash zipped around the edges of three previous DC all-star movies, portrays both Barrys, from different timelines. “The Flash,” whose hopped-up title character describes himself as “the janitor of the Justice League,” runs so fast he can revisit the past. This discovery leads to his big idea: saving his mother from a long-ago senseless murder. His father, now in prison, took the rap. Can Barry get around the butterfly effect of his meddling long enough to make his family whole? The opening action sequence features The Flash plucking dozens of newborn babies out of the sky, imminent casualties of a collapsing hospital building. That scene carries an intriguing whiff of perversity. It’s more of a grabber, certainly, than the climax, which is the usual DC Extended Universe apocalyptic ga...