The first music playing device able to both record and play back music was the phonograph, created by thomas edison in

Problems playing this file? See The history of sound recording - which has progressed in waves, driven by the invention and commercial introduction of new technologies— can be roughly divided into four main periods: • The Acoustic era (1877–1925) • The Electrical era (1925–1945) • The Magnetic era (1945–1975) • The Digital era (1975–present) Experiments in capturing sound on a recording medium for preservation and reproduction began in earnest during the Overview [ ] The earliest practical recording technologies were entirely mechanical devices. These recorders typically used a large conical horn to collect and focus the physical air pressure of the sound waves produced by the human voice or musical instruments. A sensitive membrane or diaphragm, located at the apex of the cone, was connected to an articulated scriber or stylus, and as the changing air pressure moved the diaphragm back and forth, the stylus scratched or incised an These early recordings were necessarily of low By the end of the acoustic era, the disc had become the standard medium for sound recording, and its dominance in the domestic audio market lasted until the end of the 20th century. The Electrical Era (1925–1945) (including sound on film) [ ] c. 1925–45. The 'second wave' of sound recording history was ushered in by the introduction of The Western Electric system greatly improved the fidelity of sound recording, increasing the reproducible frequency range to a much wider band (between 60Hz and 6000Hz...

The interest in creating a music-playing and recording device that would make music commercialized started in 1877. While Thomas Edison immediately heeded the call and made the phonograph, his device did not produce quality sounds and playback and record could only be done once. It was followed by new innovations from various inventors but in 1887, a German immigrant who settled then in Washington DC invented the gramophone; the prototype of the turntables and record players that we know today. Table of Contents • • • • • • • • Why is it called a gramophone? The history of the name gramophone is directly associated with the change it underwent from its predecessor called the phonograph. The gramophone as the name of the most advanced music player, sound recorder and playback device of 1887 was coined and patented by its inventor to refer to the sound device which plays on flat discs on disc record players, running through the groove out to the periphery instead of the conventional one play cylindrical phonographs which was invented by Thomas Edison and later on was known as the phonautograph by Alexander Graham Bell. Who invented the gramophone? There is much fuss on who invented the gramophone because the phonograph, phonautograph and gramophone are now used interchangeably to mean the same thing. But in so far as the music industry timeline is concerned, the credit in successfully coining the term gramophone and patenting it as then one of the most widely used and celebr...

The development of musical recording The early years In 1877 the U.S. inventor Edison sent representatives, machines, and In 1894 By the beginning of the 20th century, recording industries had been established in Germany, Austria, Russia, and Spain. Much of the managerial and technical talent, not to mention equipment, had been imported from America. (By 1970, the positions had been reversed: Europe had gained command of most of the American market.) During the 1890s, recordings had become popular primarily through coin-in-the-slot phonographs in public places. Talent was incidental to the novelty of the apparatus; most of the recordings were of whistlers, bands, comic numbers, ditties, and the like. In the first years of the 20th century, Victor and its Red Seal series ( Red Label in Europe), particularly with discs made, beginning in 1902, by The Red Label had been initiated in 1901 in Russia with some of the first 10-inch disc recordings made, and the basso In 1902 Victor and another major label, Columbia, decided to help the development of the new industry by pooling their patents. Victor was thereby legally able to record on wax (which would then be electroplated) for the first time, and the new wax discs were then used in recording Caruso in Milan. Caruso’s discs were a major Landon Ronald, a bona fide serious musician and conductor who was able to convince his colleagues of the musical worth of the Gramophone. One instrumentalist also appeared in the new Red Label s...

These days music is increasingly free—in just about every sense of the word. Right now, if you decided you wanted to hear, say, “Uptown Funk,” you could be listening to it in seconds. It’s up free on YouTube, streamable on Spotify or buyable for about two bucks on iTunes. The days of scavenging in record stores and slowly, expensively building a music library are over. It’s also become easier than ever to make music. Every Mac ships with a copy of GarageBand, software powerful enough to let anyone record an album. Are these trends a good thing—for musicians, for us, for the world of audible art? Now the arguments begin. Some cultural critics say our new world has liberated music, creating listeners with broader taste than ever before. Others worry that finding music is too frictionless, and that without having to scrimp and save to buy an album, we care less about music: No pain, no gain. “If you own all the music ever recorded in the entire history of the world,” asked the novelist Nick Hornby in a column for Billboard, “then who are you?” Artists fight over digital music too. Many say it impoverishes them, as the relatively fat royalties of radio and CD give way to laughably tiny micropayments from streaming companies, where a band might get mere thousandths of a penny from their label when a fan streams its song. Other artists disagree, arguing that giving away your music for free online makes it easier to build a global fan base avid for actually giving you money. A co...

The first music playing device able to both record and play back music was the phonograph, created by Thomas Edison in _______. Amazon Quiz Answers Explaination – Thomas continued his experiments after many failed, then in 1877 he received a patent for the phonograph. After his tireless efforts, on October 21, 1879, he invented an electric light bulb that could burn for more than 40 hours. It is said that they failed about 1000 times while making this bulb but they did not give up and continued to try and finally succeeded and gave the light bulb to the world. Meanwhile his wife died on 9 August 1884. After which he remarried on 24 February 1886 to Mina Miller. Edison also had three children with Mina Miller. His father died in 1896. After this, Edison continued to work on his inventions until the 1920s, but during this time his health declined. Still, he continued to experiment. Q1: The first music playing device able to both record and play back music was the phonograph, created by Thomas Edison in _______. • 1600 • 1877 • 1990 • 2010 Answer – 1877 Amazon’s new quiz started on 14 March 2023 and will remain live till 12 midnight on 27 March 2023. Please read the terms and conditions to participate in fuzone. If you win after answering all the questions correctly, then Amazon’s official email will be sent, and your name will appear in the fz winner’s list.

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