Vesara animal

Contents • 1 Galician • 1.1 Alternative forms • 1.2 Etymology • 1.3 Pronunciation • 1.4 Verb • 1.4.1 Conjugation • 1.4.2 Derived terms • 1.5 References Galician [ ] Alternative forms [ ] • Etymology [ ] From ( “ to turn over ” ). Pronunciation [ ] • ( /beˈsaɾ/ Verb [ ] vesar ( first-person singular present first-person singular preterite past participle • to Synonym: • to Conjugation [ ] singular plural person first second third first second third Infinitive impersonal vesar personal vesar vesar Gerund Past participle singular plural masculine feminine Indicative present imperfect preterite pluperfect future conditional Subjunctive present preterite future vesar vesar Imperative – affirmative – negative – Derived terms [ ] • • • • References [ ] • “ Dicionario de Dicionarios da lingua galega, SLI - ILGA 2006–2013. • “ Tesouro informatizado da lingua galega. Santiago: ILG. • “

Vesara, which is Sanskrit for “mule,” is a hybrid ‘offspring’ of Nagara and Dravida, two different styles of architecture. The Chalukyan monarchs of the Deccan significantly affected how this form of temple construction emerged, was used, and was refined. Because of this, this style of temple construction is also known as “Chalukyan Style of Temple Architecture.” As the two primary orders of temple architecture—Nagara and Dravida—begin to fully emerge, it becomes obvious that they are primarily found in North and South India. However, the Deccan area of Peninsular India represents this hybrid style that was referred to as “Vesara” over time. Between the 7th and 13th centuries, this architectural style flourished as a highly florid architectural design in the Chalukya (North & Central Karnataka), Hoyasala (South Karnataka), and Kakatiya (Hyderabad, Warangal, and neighbouring areas) temples. It was primarily present in Maharashtra, Karnataka, and the Andhra region. This style did not, however, appear overnight. In the middle of the 7th century A.D., Vesara styled temple building developed under the patronage of subsequent Chalukya emperors. Chalukya architects experimented with many structures and shapes as a result of their tremendous creative curiosity, producing beautiful works of art. Vimana and Mandapa were given priority by these emperors. As a starting point, they employed a ground plan in the form of a star or stellate. Following that, they began to decorate the wall...