Who among the following was the author of the book gita govinda

An excerpt from a lecture entitled " The Jewel Book": "Sri Gita-govinda is a "jewel book" brought by Sri Caitanya Mahaprabhu. We all know that Sri Jayadeva Gosvami has written this beautiful Gita-govinda, but without Sri Caitanya Mahaprabhu it would have remained locked like a pearl in the oyster shell or a jewel in a locked case. Sri Caitanya Mahaprabhu manifested the glories of Sri Gita-govinda. Just as without Srila Rupa Gosvami no one would have known the inner moods of Sri Caitanya Mahaprabhu, similarly, by Sri Caitanya Mahaprabhu relishing the moods of Sri Gita-govinda its glories became manifest for the whole world. I have explained this very high-class philosophy, but only rare devotees in this world can understand it. I have called you here only to give you this."

Jayadeva, (flourished 12th century), Indian author of the Sanskrit poem The son of Bhojadeva, a Brahman, he was born in the village of Kenduli Sasan, Gita Govinda was regularly performed by the maharis (temple dancers). Jayadeva has been honoured for several centuries at an annual festival at his birthplace, during which his poem is recited. The Gita Govinda describes the love of gopis (wives and daughters of the cowherds). The poem presents, in dramatic form, the lovers’ attraction, estrangement, sakhi (female confidant). The poem, which blends recitative stanzas with 24 short songs, inspired much of the subsequent Gita Govinda continue to be sung in temples, during festivals, and at kirtanas (communal worship through song). This article was most recently revised and updated by

The correct answer is Jayadev. Key Points • Jayadevwas a Sanskrit poet during the 12th century. • Jayadev isknown for his epic poem " Gita Govinda" which concentrates on Krishna's love with the gopi. • Two hymns of Jayadevahave been incorporated in the holy book of the Sikh religion " Guru Granth Sahib". • During Guru Nanak's visit to Puri, there are records narrating how Jayadeva's work had a profound influence on Guru Nanak. Important Points • Banabhattawas aSanskrit prose writer and poet of India in the 7th-century andwas the Asthana Kavi in the court of King Harsha Vardhana. • Meerawas a devotee of Lord Krishna in the 16th century. • Kalidasaplays and poetry are primarily based on the Vedas,the Mahabharata, the Ramayana, and the Puranas.

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Los Angeles May 12 2003 Sri Srimad Bhaktivedanta Narayana Maharaja [Srila Jayadeva Gosvami, an intimate associate of Sri Caitanya Mahaprabhu and author of the famous book Gita-Govinda. We are enthusiastic to share with you a few of Srila Bhaktivedanta Narayana Gosvami Maharaja ever-fresh glorifications of this great Gaudiya saint.] Sri Jayadeva Gosvami was a very high class of maha-bhagavata, and he wrote a book called "Gita Govinda", "The Glories of Govinda". When Sri Caitanya Mahaprabhu saw this book, He made a copy and instructed His followers to also obtain one. At that time there was no press, the books were reproduced by hand, so Mahaprabhu ordered His followers to write it down and then preach. In Jagannatha Puri, all the Vaisnavas and associates of Sri Caitanya Mahaprabhu wrote down that book and made a necklace for themselves of the beautiful songs therein. The first song in this book is Srita Kamala. The words and meaning of the song are very near and dear to Krsna, so much so that when Krsna as Jagannatha-deva heard it, He became attracted. A devi dasi was singing it in the forest at night; and, hearing this sweet kirtana, Jagannath-deva opened His door. It may seem that He is a statue of wood, but He is not. He left the temple and began to run very quickly through the forest, towards that singing, and the many thorny bushes in that forest scratched His body and tore His clothing. Before He reached that devi dasi she stopped her kirtana, but He had already becom...

The highly original form of the poem, which inspired many later imitations, intersperses the recitative stanzas with 24 eight-line songs. The religious drama of the worshiper’s yearning for god is expressed through the Gītagovinda is the earliest-known poem dealing with the theme of the divine lovers, Rādhā and Krishna, and in it Rādhā is treated as the mistress, not as the wife, of Krishna. Its verses were popular with bhajanas and kīrtanas (gatherings for devotion through song) throughout India. The Gītagovinda was also the inspiration for many beautiful miniature paintings of the Rajasthani and Pahari schools in the 17th and 18th centuries.

This paper presents system concepts for the design of a multimedia based cultural learning exhibit on a celebrated text, the Indian Gita-Govinda: The Gita-Govinda is a 12th century love poem that has been expressed in paintings music and dance. Because the literary text has several dimensions of meaning and expression, the key system design question has been to design an exhibit that supports the multiple readings — re-readings — of the poem. This concept of re-reading provided the basis for two exhibit solutions. The paper presents the system concepts for creating the Gita-Govinda cultural learning document that allow users access into multiple dimensions of the poem. Keywords • System Concept • Cultural Space • Tent Space • Subtle Dimension • Psychical Phenomenon These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves. • Brown, J.S., Duguid, P.: Organizational Learning and Communities of Practice: Toward a Unified View of Working, Learning, and Innovation. Organizational Science 2(1) (1991) 40–57 • Lave, J., Wenger, E.: Situated Learning. Legitimate Peripheral Participation (Cambridge University Press, New York 1991) • Makkuni, R.: A Gestural Representation of the Process of Composing Chinese Temples. IEEE Computer Graphics and Applications 7(12) (1987) 45–61 • Makkuni, R.: A Diagrammatic Interface to a Database of Thangka Imagery. In: Kunii, T.L. (ed.): Visual Database S...