Identify this caves with artwork dating from the period 600–1000 ce

Ellora is a UNESCO World Heritage Site located in the Aurangabad district of Maharashtra, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring Buddhist, Hindu and Jain monuments, and artwork, dating from the 600–1000 CE period. Cave 16, in particular, features the largest single monolithic rock excavation in the world, the Kailasha temple, a chariot shaped monument dedicated to Shiva. The Kailasha temple excavation also features sculptures depicting the gods, goddesses and mythologies found in Vaishnavism, Shaktism as well as relief panels summarizing the two major Hindu Epics. There are over 100 caves at the site, all excavated from the basalt cliffs in the Charanandri Hills, 34 of which are open to public. These consist of 12 Buddhist (caves 1–12), 17 Hindu (caves 13–29) and 5 Jain (caves 30–34) caves, each group representing deities and mythologies prevalent in the 1st millennium CE, as well as monasteries of each respective religion. They were built close to one another and illustrate the religious harmony that existed in ancient India. All of the Ellora monuments were built during Hindu dynasties such as the Rashtrakuta dynasty, which constructed part of the Hindu and Buddhist caves, and the Yadava dynasty, which constructed a number of the Jain caves. Funding for the construction of the monuments was provided by royals, traders and the wealthy of the region. Although the caves served as monasteries, temples and a rest stop ...

The caves at Ajanta date from the 2nd century B.C.E. to 650 C.E and were cut into the mountainside in two distinct phases. Discovered by chance in 1819 by British soldiers on a hunt, the Ajanta Caves have become an icon of ancient Indian art, and have influenced subsequent artists and styles. The caves at the site are not numbered chronologically. Instead, their numbering based on location, beginning with cave 1 on the north side of the horseshoe. All of the caves at Ajanta fall into the category of Vihara (monasteries with residence halls), or Chaitya-grihas (sanctuaries/stupa monument halls). Nevertheless, each cave has its own unique characteristics, making it difficult to write about Ajanta as a whole. ​The main hall of Cave 1 is a square in plan, with aisles along all four sides. Adjacent to these aisles are doorways leading to fourteen small chambers. Cave 1 contains twenty painted and carved pillars. Above the pillars are reliefs depicting tales from the life of Buddha (Jataka tales). Located at the rear of the hall is a large shrine of the Buddha. The walls were originally covered in paintings, but today there are only nine surviving images, the most famous being the Bodhisattva Padmapani (Padmapani in Sanskrit literally translates into "one who holds the lotus"). This painting can be found to the left on the main shrine. It depicts one of the most beloved bodhisattvas, Avalokitesvara. The term "bodhisattva" refers to a person that has been awakened by the Buddhist...

World Heritage partnerships for conservation Ensuring that World Heritage sites sustain their outstanding universal value is an increasingly challenging mission in today’s complex world, where sites are vulnerable to the effects of uncontrolled urban development, unsustainable tourism practices, neglect, natural calamities, pollution, political instability, and conflict. Cave of Altamira and Paleolithic Cave Art of Northern Spain Seventeen decorated caves of the Paleolithic age were inscribed as an extension to the Altamira Cave, inscribed in 1985. The property will now appear on the List as Cave of Altamira and Paleolithic Cave Art of Northern Spain. The property represents the apogee of Paleolithic cave art that developed across Europe, from the Urals to the Iberian Peninusula, from 35,000 to 11,000 BC. Because of their deep galleries, isolated from external climatic influences, these caves are particularly well preserved. The caves are inscribed as masterpieces of creative genius and as the humanity’s earliest accomplished art. They are also inscribed as exceptional testimonies to a cultural tradition and as outstanding illustrations of a significant stage in human history. Description is available under license Grotte d’Altamira et art rupestre paléolithique du nord de l’Espagne Dix-sept grottes ornées datant du Paléolithique ont été ajoutées en tant qu’ extension du site de la grotte d’Altamira, inscrit en 1985. Ce bien apparaîtra désormais sur la Liste sous le nom de...

cave art, generally, the numerous See also The first painted cave acknowledged as being Paleolithic, meaning from the Homo sapiens). Most examples of cave art have been found in Most cave art consists of paintings made with either red or black pigment. The reds were made with iron oxides (hematite), whereas manganese dioxide and Roc-aux-Sorciers (1950) in Vienne and of Cap Blanc (1909) in Dordogne. Engravings were made with fingers on soft walls or with flint tools on hard surfaces in a number of other caves and shelters. Representations in caves, painted or otherwise, include few humans, but sometimes human heads or genitalia appear in isolation. Hand stencils and handprints are characteristic of the earlier periods, as in the Cave art is generally considered to have a symbolic or religious function, sometimes both. The exact meanings of the images remain unknown, but some experts think they may have been created within the framework of

Humans make art. We do this for many reasons and with whatever technologies are available to us. Extremely old, non-representational ornamentation has been found across Africa. The oldest firmly-dated example is a collection of 82,000 year old Nassarius snail shells found in Morocco that are pierced and covered with red ochre. Wear patterns suggest that they may have been strung beads. Nassarius shell beads found in Israel may be more than 100,000 years old and in the Blombos cave in South Africa, pierced shells and small pieces of ochre (red Haematite) etched with simple geometric patterns have been found in a 75,000-year-old layer of sediment. The oldest known representational imagery comes from the Aurignacian culture of the Upper Paleolithic period (Paleolithic means old stone age). Archeological discoveries across a broad swath of Europe (especially Southern France, Northern Spain, and Swabia, in Germany) include over two hundred caves with spectacular Aurignacian paintings, drawings and sculpture that are among the earliest undisputed examples of representational image-making. The oldest of these is a 2.4-inch tall female figure carved out of mammoth ivory that was found in six fragments in the Hohle Fels cave near Schelklingen in southern Germany. It dates to 35,000 B.C.E. The caves at Chauvet-Pont-d'Arc, Lascaux, Pech Merle, and Altamira contain the best known examples of pre-historic painting and drawing. Here are remarkably evocative renderings of animals and som...

The correct answer is Mirzapur. Key Points Cave painting: • They are painting on cave walls and ceilings. • Usually these paintings were made in prehistoric times. • Cave paintings are a form of rock art, falling under the category of pictographs. • Painting in Caves was in the form of hunting animals, meant to make a hunt. • Archibald Carlleyle discovered rock paintings atSohagihat in the Mirzapur district of Uttar Pradesh in 1867-68. • The Cave painting consists of a fugitive depiction of animals being surrounded and killed, woundedboar. Additional Information Ajanta caves The Ajanta caves, Buddhist rock-cut caves temples, and monasteries, located near Ajanta, Maharashtra are celebrated for their wall paintings. Ellora caves Ellora is one of the largest rock-cut Hindu temple cave complexes in the world, with artwork dating from the period 600–1000 CE Badami caves The Badami cave temples are a complex of Hindu and Jain cave temples located in Badami, a town in the Bagalkot district in the northern part of Karnataka, India.