Marathi abhang

केह्दी नइ चाहिदा उमरां दा वादा मैं पुछेया फेर की चाहिदा ऐ तैनू पता ऐ की केह्न्दी केह्न्दी बलेनसिआगा आगा आगा बलेनसिआगा आगा आगा.. गुच्ची फेंडी पराड़ा बलेनसिआगा आगा आगा बलेनसिआगा आगा आगा.. मैनु पैसा नइ चाहिदा मैनु प्यार चाहिदा माही सोणा तों सोणा दिलदार चाहिदा आहा.. बलेनसिआगा आगा आगा बलेनसिआगा आगा आगा.. गुच्ची फेंडी … Categories Tags हो… मेरेया बेलिया ओये बारी बरसी खतन गया सी खट के ले आउंदियां कोलियां बारी बरसी खतन गया सी खट के ले आउंदियां कोलियां महफिल मित्तरां दी, महफिल मित्तरां दी महफिल मित्तरां दी तैनू देख के पाउंदियां बोलियां महफिल मित्तरां दी तैनू देख के पाउंदियां बोलियां महफिल मित्तरां दी तैनू देख के पाउंदियां बोलियां महफिल … Categories Tags

Jagadguru Santshresht Shri Tukaram Maharaj's Abhang Gatha - Part 1 Abridged and placed for open access with permission of Shri Sant Tukaram Maharaj Sansthan (Shri Kshetra Dehu, Pune) The document is in the Marathi Language. Notes Sant Tukaram Maharaj Tuka, or Tukaram, was born in 1598 in Dehu, a village near Pune, on the banks of the Indrayani River. His parents were poor farmers and were known to be poor and charitable. Their family deity was Vithoba or Panduranga. Tukaram’s first marriage took place when he was only fifteen years old. His wife and son died of starvation in a famine in the region. His second wife was Jeejabai. Devoted to spiritual thought, Tukaram found it difficult to make his way through his worldly responsibilities as a trader and farmer. He studied the written works of Jnaneswar, Namdev and Eknath, the foremost Bhakti saints of Maharashtra. Tukaram received his spiritual guidance from Shri Raghava Chaitanya. It is said that he received this vigorous and very detailed and specific guidance in his dreams. Subsequent to intense contemplation in isolation, Tukaram began to compose his abhangs, devotional stanzas or poetry, to convey his bhakti to Panduranga. He felt that he could not focus on God if he continued with his material world. He wished to remain away from his worldly life and took up the path of singing and chanting the glory of Panduranga. Being able to visualize the deity everywhere and in every object, he surrendered completely to the aspect...