New song 2022

See latest videos, charts and news The songs that appear on the annual YouTube include streams from the official music video, lyric videos and user-generated content that uses the full official song, and cover the period from Jan. 1, 2022 to Nov. 15, 2022. Its lists are restricted to two songs for each artist or album. It was a big year for Latin music on YouTube, as both Bad Bunny has enjoyed another massive year across all platforms. The Puerto Rican rapper was, separately, named the top artist in Un Verano Sin Ti was its most-streamed album. YouTube’s rankings don’t end there. The streaming giant also shares its lists for top trending videos, top shorts, top creators, breakout creators, See the full list of YouTube’s top songs in the United States below and click 1. Encanto Cast –“We Don’t Talk About Bruno” 2. Kodak Black –“Super Gremlin” 3. Jessica Darrow –“Surface Pressure” 4. Bad Bunny –“Tití Me Preguntó” 5. Future –“Wait for U” feat. Drake, Tems 6. Bad Bunny, Chencho Corleone –“Me Porto Bonito” 7. Karol G, Becky G –“Mamiii” 8. Imagine Dragons x JID –“Enemy” 9. Karol G –“Provenza” 10. Lil Baby –“In a Minute”

Remix cover from the album Released December13,2022 ( 2022-12-13) Length 3: 42 • • Boominati • • • • • Peter Lee Johnson • • • • • • • • • • • "Striker #1 Remix" (2021) " Creepin '" (2022) " (2023) " (2022) " Creepin '" (2022) " (2022) "Slime-U-Out" (2022) " Creepin '" (2022) " (2023) Music video "Creepin' (Remix)" on " Creepin '" is a song by American record producer Background and release [ ] The Weeknd and Mario Winans had previously collaborated on the '" and Winans also congratulated Metro on the release of its parent album, Heroes & Villains. Critical reception [ ] Brady Brickner-Wood of Track listing [ ] Digital and streaming single • "Creepin'" (remix with the Weeknd, Digital and streaming single • "Creepin'" (remix with the Weeknd, Diddy and 21 Savage) – 3:52 • "Creepin'" (with the Weeknd and 21 Savage) – 3:41 • "Creepin'" (instrumental) – 3:41 • "Creepin'" (remix music video) – 4:20 CD single • "Creepin'" (remix with the Weeknd, Diddy and 21 Savage) – 3:52 • "Creepin'" (with the Weeknd and 21 Savage) – 3:41 • "Creepin'" (instrumental) – 3:41 Charts [ ] Weekly charts [ ] Weekly chart performance for "Creepin '" Chart (2022–2023) Peak position Australia ( 7 Austria ( 13 Belgium ( 13 Belgium ( 2 Bulgaria ( 12 Canada ( 1 Canada 2 Canada 11 14 Czech Republic ( 7 Denmark ( 3 Estonia ( 5 Finland ( 14 France ( 8 Germany ( 10 3 Greece International ( 1 Hungary ( 10 Hungary ( 11 Iceland ( 2 Ireland ( 8 Italy ( 37 Latvia ( 1 Latvia Airplay ( 3 Lebanon ( 2 Luxembourg ( 3 Lit...

Whether you’re a New York City native, a transplant, or just a two-day visitor to the sprawling metropolis, you’ve probably seen a struggling artist performing on the subway or a station platform. “Showtime, showtime, showtime!” street dancers often shout before flipping off the ceilings of the train cars and maneuvering around their poles. Going from “Showtime!” to stardom is rare, but Britanny Fousheé did give busking a shot, well before her 2022 breakout as the co-writer to one of the world’s biggest pop songs — “One time I tried to sing on the train,” Fousheé says over Zoom. “And it just did not work out for me.” Her tone is sharp and yet blasé, making it hard to imagine her clamoring for attention in a crowd of commuters. “You see how low I speak,” she continues. Her speaking voice is indeed hushed. Her singing voice is even more distinct, as showcased on “Sunshine,” a standout on the same album that’s home to “Bad Habit,” Lacy’s Gemini Rights. It’s beautifully faint and a little creaky, like Billie Eilish on “Bad Guy” meets Norah Jones on “Don’t Know Why.” “They were like, ‘What?’” she recalls of the subway passengers she subjected to her show. “I’m trying to sing a whisper song over the bustle of the train. Didn’t work out for me.” Fousheé—whose surname is also her stage name — gigged around New York before her recent ascent, hitting the scene at rite-of-passage places like Piano’s and S.O.B.’s in Lower Manhattan. “It’s like training for war,” she says. When we talk...

Apple Music’s end-of-year charts are based on plays between 1 November 2021 and 31 October 2022. The streets were calling in 2022, and South Africa’s highest-charting musicians answered with tracks that made even the smallest occasion feel like a turn-up. Amapiano heavyweights including Busta 929, Kabza De Small and DJ Maphorisa dominated the top of the charts. Those “we outside” vibes saw artists returning to form and toasting their growth, exemplified by K.O and his gritty street anthem, the Blxckie and Young Stunna collab “SETE”. The Afrobeats wave also managed to sweep SA, with Nigeria’s “African Giant” Burna Boy nabbing the No. 3 spot on our charts with his worldwide smash “Last Last”. Further afield, we got stuck in with tracks from global superstars including Adele, Ed Sheeran, Harry Styles, GAYLE and The Weeknd. Here’s what Apple Music users kept on repeat this year. Hear something that kept you going? Add it to your library—and keep the party going in 2023.

The debut single by London girlband Flo is a time machine. For three minutes, it’s 2000 again: The Writing’s on the Wall is the world’s biggest album, Darkchild reigns supreme over pop, and no pair of trousers is complete without five superfluous pockets and a dangerous array of straps. Flo weren’t even born then but they’re a great study: this effervescent No Scrubs for the TikTok era was one of the freshest pop launches in recent memory, palpably floating on a sigh of relief as Jorja, Stella and Renée kick some bug-a-boo back to Y2K where he belongs. LS 19 Confidence Man – Holiday Holiday sees Confidence Man doing what they do best: toeing the line between cheesy and calculated, cutting anthemic vocals and a bouncy groove with radiant synths and filtered interludes. Connecting the dots between 2022’s indie sleaze and Y2K revivals while also nodding to 2010s EDM, Holiday is warm, nostalgic, and prioritises pure joy over pretension. SB Pure joy … Janet Planet and Sugar Bones of Confidence Man. Photograph: Josh Hourigan 18 Alan Braxe/DJ Falcon – Step By Step ft Panda Bear French touch icons Alan Braxe and DJ Falcon reunited to figure out how their pioneering 90s house might have mellowed into middle age. Step By Step turns down the aggressive filtering of their heyday (an evolution akin to how our hearing range fades with age, maybe) for wistful soft rock that sails, Christopher Cross-style, into a hazy horizon with no division between sea and sky. “As I try to find a new w...

Jack In The Box. Currently, BTS is in the midst of celebrating its 10th anniversary, which falls on June 13. The new take on “Arson” was shared as part of those festivities, as a free release on the group’s Soundcloud page. “Arson (rock ver.)” transforms the original song, adding a guitar solo at its end and changing the rest of the track’s instrumentation to be driven by guitar riffs and heavy drums. Click to load video Elsewhere in BTS’ “festa” celebrations so far, the group has shared a video of Jimin performing his solo song “Letter,” a group video dubbed “Apobangpo10 Project” (aka “ARMY forever BTS forever10 Project”), and has announced Last week, the group also shared a new single called Bastions anime OST song “The Planet,” it is the first full group track to be released by BTS since 2022’s Since releasing Jack In The Box last July – and before enlisting in the South Korean military in April – J-hope has kept busy. In August 2022, Jack In The Box and his preparations for Lollapalooza in the Disney+ documentary, J-hope In The Box. During BTS’ ninth anniversary celebrations, the band announced that it would be focusing more on solo activities for the next few years. As well as J-hope’s solo output, Jin has released the single Indigo, and Jimin released his debut EP FACE. Suga, meanwhile, unveiled his album D-DAY and embarked on Listen to the best of BTS on

Loading... Being a music fan right now can feel like inhabiting a whole enormous, thriving, chaotic world that's embedded within a metaverse of other enormous, thriving, chaotic worlds you didn't even know existed. Even for the most industrious listeners, the amount of music released every day (EVERY. DAY.) is overwhelming, no less so when you attempt to look back over a whole calendar year. Who could keep up? But there's another way to consider the state of new music: Such abundance makes for a spectacular party. Consider this your disco ball, a reflection on the year that revels in cacophony rather than trying to boil things down into a single authoritative point of view. Throughout December, this page will illuminate the best music of 2022 a few glittering facets at a time. Below, you'll find essays, podcasts and other discussions on the ways we'll remember the year. Above, you'll find links to our lists celebrating incredible songs and albums from the worlds of