The bird sanctuary by sarojini naidu summary

Named as the nightingale of India, Sarojini Naidu ,is essentially a poetess of Indian flora and fauna. Nature was a spring of perpetual bliss to her.’ The ‘Bird Sanctuary’ depicts the ideal refuge of God that offers ideal fostering space and nurturing place for every bird regardless of its identity. The poem is addressed to the Master of the Birds. There is festive joy as the birds sing tumultuously. The enchanting aura they craft herald the Festival of Dawn. Birds of multitudinous colors produce music entrancing and melodious. The birds strive to sing carols from their throats of amber, ebony and fawn and passionately evocate the pastoral arena of India. The bulbul, the oriole, the honey bird and the shama are perceived fluttering from the high boughs sodden with nectar and due. As the atmosphere is animated with colour and movement, the gull exhibits its silver sea-washed coat, and the hoopoe and the kingfisher their sapphire-blue. The wild gay pigeons envisage a home, amid the tree tops and endeavour to achieve the same, filling their beaks with silken down and banyan twigs. The pervading greenery is reflective of fertility and prosperity in the lives of the birds. Their ascent phrased as “sunward flight” signifies their aspiration to accomplish new heights. The green parrots pose themselves as marauders who loot the ripe-red figs. With personal and autobiographical ramifications, the poetess asserts that God grants sanctuary and shelter even to a bird with a broken win...

Sarojini Naidu is the Nightingale of India, Bharat Kokila. She is a lyricist and as such her work is marked by a delicate fancy and haunting music. She has exhibited high workmanship and material dexterity in the composition of her poems which are remarkable for their cadences that are mellifluous. Her poems are ‘golden cadences’ in ‘silken terms’ dealing in scintillating and dazzling images. She mainly deals in her poetry with the themes of love, nature and the Indian pageant. Her poetry seems to sing itself as if her swift thoughts and strong emotions sprang into lyrics of themselves. Her poems seem to breathe the fragrance of spring and ring with the music of the song of various birds. However her poems are poignant and noble. She is a sensitive poet in whom the Bengali and the Deccani voices mingle and merge. Her poems reflect her preoccupation with the dream world and the Indian folk-life. “ The Bird Sanctuary” extracted form her poems entitled The Feather of the Dawn was inspired by her visit to the bird sanctuary in Bombay. This is one of the finest poems written by Sarojini Naidu. This speaks of Sarojini’s potential as a poet. The whole poem is one long extended metaphor. Sanctuary is a place which provides shelter to those who are in search of it. Here it refers to a place of shelter for birds. The bird sanctuary, visualized here, gives joy and fostering freedom, nesting place and singing space to everything that has feathers. It is a gracious garden for birds in ...

In Sarojini Naidu's "The Bangle Sellers," a chorus of mysterious peddlers hawk their wares: bangles (or bracelets) that are clearly more than just bangles. Through their evocative colors—the green of spring leaves, the gold of summer corn, the soft purple of autumn skies—these bangles come to The Bird of Time. • 1Bangle sellers are we who bear 2Our shining loads to the temple fair... 3Who will buy these delicate, bright 4Rainbow-tinted circles of light? 5Lustrous tokens of radiant lives, 6For happy daughters and happy wives. 7Some are meet for a maiden's wrist, 8Silver and blue as the mountain mist, 9Some are flushed like the buds that dream 10On the tranquil brow of a woodland stream, 11Some are aglow with the bloom that cleaves 12To the limpid glory of new born leaves. 13Some are like fields of sunlit corn, 14Meet for a bride on her bridal morn, 15Some, like the flame of her marriage fire, 16Or, rich with the hue of her heart's desire, 17Tinkling, luminous, tender, and clear, 18Like her bridal laughter and bridal tear. 19Some are purple and gold flecked grey 20For she who has journeyed through life midway, 21Whose hands have cherished, whose love has blest, 22And cradled fair sons on her faithful breast, 23And serves her household in fruitful pride, 24And worships the gods at her husband's side. • See where this theme is active • Line-by-Line Explanation & Analysis of “The Bangle Sellers” • Lines 1-6 Bangle sellers are we who bear Our shining loads to the temple fair... ...

Image courtesy of Vlad at FreeDigitalPhotos.net In the poem “ The Bird Sanctuary”, the poet Sarojini Naidu evokes the delightful imagery of different kinds of birds living happily in a sanctuary. There are birds of varying colours – from amber and ebony to jade green and sapphire blue. Small birds like the bulbul and the oriole fly around happily. There are colourful birds like the kingfisher and wandering birds like the gull. The pigeons are trying to build a home while the parrots are out to eat ripe figs. The poet portrays the bird sanctuary as a gracious and generous place where all kinds of birds live freely and joyfully. She ends the poem with a prayer to God asking him to grant shelter to a homing bird with a broken wing. This beautiful poem is an allegory to a safe place in Nature where all kinds of people can live freely and happily. The poet’s prayer to God asking for shelter for a “homing bird with broken wings” is in fact a prayer for herself. She longs for a resting place and solace from her pain, and prays to God to provide her shelter in his sanctuary.

The Bird of Time is a poetry collection book by Indian poet In 2022, a plaque containing the poem "The Hussain Saagar", from the collection, was erected at The Bird of Time. Contents [ ] Songs of Love and Death • The Bird of Time • Dirge: In sorrow of her bereavement • An Indian Love Song • In Remembrance: Violet Clarke • Love and Death • The Dance of Love • A Love Song from the North • At Twilight: On the way to Golconda • Alone • A Rajput Love Song • A Persian Love Song • To Love Songs of the Spring time • Spring • A Song in Spring • The Joy of the Springtime • Vasant Panchami: Lilavati's Lament at the Feast of Spring • In a Time of Flowers • In Praise of Gulmohur Blossoms • Nasturtiums • Golden Cassia • Champak Blossoms • Ecstasy Indian Folk-Songs ( To Indian Tunes) • Village Song • Slumber Song for Sunalini Songs of my City: • In a Latticed Balcony • In the Bazaars of Hyderabad • Bangle-sellers • The Festival of Serpents • Song of Radha the Milkmaid • Spinning Song • Hymn to Indra, Lord of Rain Songs of Life • Death and Life • The Hussain Saagar • The Faery Isle of Janjira • The Soul's Prayer • Transience • The Old Woman • In the Night • At Dawn • An Anthem of Love • Solitude • A Challenge to Fate • The Call to Evening Prayer • In Salutation to the Eternal Peace • Medley: A Kashmeri Song • Farewell • Guerdon See also [ ] • References [ ] • (PDF). Centre for good governance. 2017. pp.4–10 . Retrieved 27 July 2022. • . Retrieved 22 July 2022. • . Retrieved 22 July 2022. ...

In the poem “The Bird Sanctuary” by Sarojini Naidu, the metaphor of the garden and birds stands for the beauty and freedom of nature, as well as the need to protect and preserve it. The speaker describes the bird sanctuary as a “garden of winged wonders,” where the birds are free to fly and sing without fear. This image of the sanctuary as a garden suggests that it is a place of beauty and serenity, where nature is allowed to flourish and grow. The birds themselves are described as “gay-plumed” and “bright-eyed,” which emphasizes their beauty and vitality. At the same time, the poem also suggests that this beauty and freedom is threatened by human encroachment and destruction of nature. The speaker notes that the birds are “vagrant, harried, homeless things,” and that their wings are “worn with strife.” This suggests that the birds are struggling to survive in an environment that is increasingly hostile to their needs. The metaphor of the garden and birds, therefore, serves to highlight the importance of preserving and protecting nature. It represents the need to create spaces where wildlife can thrive and grow, and where the beauty and freedom of nature can be appreciated and enjoyed. It also serves as a reminder of the consequences of human actions on the environment, and the need to take steps to protect and preserve the natural world for future generations.

In Sarojini Naidu's "The Bangle Sellers," a chorus of mysterious peddlers hawk their wares: bangles (or bracelets) that are clearly more than just bangles. Through their evocative colors—the green of spring leaves, the gold of summer corn, the soft purple of autumn skies—these bangles come to The Bird of Time. • 1Bangle sellers are we who bear 2Our shining loads to the temple fair... 3Who will buy these delicate, bright 4Rainbow-tinted circles of light? 5Lustrous tokens of radiant lives, 6For happy daughters and happy wives. 7Some are meet for a maiden's wrist, 8Silver and blue as the mountain mist, 9Some are flushed like the buds that dream 10On the tranquil brow of a woodland stream, 11Some are aglow with the bloom that cleaves 12To the limpid glory of new born leaves. 13Some are like fields of sunlit corn, 14Meet for a bride on her bridal morn, 15Some, like the flame of her marriage fire, 16Or, rich with the hue of her heart's desire, 17Tinkling, luminous, tender, and clear, 18Like her bridal laughter and bridal tear. 19Some are purple and gold flecked grey 20For she who has journeyed through life midway, 21Whose hands have cherished, whose love has blest, 22And cradled fair sons on her faithful breast, 23And serves her household in fruitful pride, 24And worships the gods at her husband's side. • See where this theme is active • Line-by-Line Explanation & Analysis of “The Bangle Sellers” • Lines 1-6 Bangle sellers are we who bear Our shining loads to the temple fair... ...

In the poem “The Bird Sanctuary” by Sarojini Naidu, the metaphor of the garden and birds stands for the beauty and freedom of nature, as well as the need to protect and preserve it. The speaker describes the bird sanctuary as a “garden of winged wonders,” where the birds are free to fly and sing without fear. This image of the sanctuary as a garden suggests that it is a place of beauty and serenity, where nature is allowed to flourish and grow. The birds themselves are described as “gay-plumed” and “bright-eyed,” which emphasizes their beauty and vitality. At the same time, the poem also suggests that this beauty and freedom is threatened by human encroachment and destruction of nature. The speaker notes that the birds are “vagrant, harried, homeless things,” and that their wings are “worn with strife.” This suggests that the birds are struggling to survive in an environment that is increasingly hostile to their needs. The metaphor of the garden and birds, therefore, serves to highlight the importance of preserving and protecting nature. It represents the need to create spaces where wildlife can thrive and grow, and where the beauty and freedom of nature can be appreciated and enjoyed. It also serves as a reminder of the consequences of human actions on the environment, and the need to take steps to protect and preserve the natural world for future generations.

The Bird of Time is a poetry collection book by Indian poet In 2022, a plaque containing the poem "The Hussain Saagar", from the collection, was erected at The Bird of Time. Contents [ ] Songs of Love and Death • The Bird of Time • Dirge: In sorrow of her bereavement • An Indian Love Song • In Remembrance: Violet Clarke • Love and Death • The Dance of Love • A Love Song from the North • At Twilight: On the way to Golconda • Alone • A Rajput Love Song • A Persian Love Song • To Love Songs of the Spring time • Spring • A Song in Spring • The Joy of the Springtime • Vasant Panchami: Lilavati's Lament at the Feast of Spring • In a Time of Flowers • In Praise of Gulmohur Blossoms • Nasturtiums • Golden Cassia • Champak Blossoms • Ecstasy Indian Folk-Songs ( To Indian Tunes) • Village Song • Slumber Song for Sunalini Songs of my City: • In a Latticed Balcony • In the Bazaars of Hyderabad • Bangle-sellers • The Festival of Serpents • Song of Radha the Milkmaid • Spinning Song • Hymn to Indra, Lord of Rain Songs of Life • Death and Life • The Hussain Saagar • The Faery Isle of Janjira • The Soul's Prayer • Transience • The Old Woman • In the Night • At Dawn • An Anthem of Love • Solitude • A Challenge to Fate • The Call to Evening Prayer • In Salutation to the Eternal Peace • Medley: A Kashmeri Song • Farewell • Guerdon See also [ ] • References [ ] • (PDF). Centre for good governance. 2017. pp.4–10 . Retrieved 27 July 2022. • . Retrieved 22 July 2022. • . Retrieved 22 July 2022. ...

Image courtesy of Vlad at FreeDigitalPhotos.net In the poem “ The Bird Sanctuary”, the poet Sarojini Naidu evokes the delightful imagery of different kinds of birds living happily in a sanctuary. There are birds of varying colours – from amber and ebony to jade green and sapphire blue. Small birds like the bulbul and the oriole fly around happily. There are colourful birds like the kingfisher and wandering birds like the gull. The pigeons are trying to build a home while the parrots are out to eat ripe figs. The poet portrays the bird sanctuary as a gracious and generous place where all kinds of birds live freely and joyfully. She ends the poem with a prayer to God asking him to grant shelter to a homing bird with a broken wing. This beautiful poem is an allegory to a safe place in Nature where all kinds of people can live freely and happily. The poet’s prayer to God asking for shelter for a “homing bird with broken wings” is in fact a prayer for herself. She longs for a resting place and solace from her pain, and prays to God to provide her shelter in his sanctuary.