Vesara architecture

The architectural principles of temples in India are described in Shilpa Shastra. Shilpa Shastra mentions three main type of temple architecture – Nagara or the Northern style, the Dravida or the Southern style and the Vesara or Mixed style. Nagara style The style of temple architecture that became popular in northern India is known as Nagara. Nagara style was developed regionally each region manifesting its own particular qualities. Dravida Style Dravida style of temple architecture became popular in South India. Dravida style of temples was developed dynastically, however the major features of these temples remained common across the dynasties. Vesara Style In the mid-seventh century, a distinct style of temple architecture grew in Karnataka region under the patronage of Chalukya rulers. The temples in this region follow a hybridised style which combines the features of both Nagara and Dravida styles. Similarities and differences of three styles: Nagara: • Northern region • Developed regionally each region manifesting its own particular qualities • Ground Plan: Mostly Square shaped • Curvilinear tower (Shikhara built over garbhagriha) gradually curving inward • Multiple Shikharas • Squared hall • Sanctum Garbhagriha • Gopurams are absent • A water tank may or may not be present • Compound walls are absent • Examples – Dashavatara temple (Deogarh), Vishwanatha temple(Khajuraho), Lakshman Temple (Khajuraho), Jagannath temple (Puri) Dravida: • Southern region • Developed dy...

Echoes from the past The antiquity of architecture in India is vivid, especially in the temples, which opens the doors to the past of India, representing the culture and life of the people. Temples reveal the artistic and sculptural expertise of people and are of aesthetical and cultural significance. In India, temple architecture is based on Hindu philosophical and metaphysical concepts. The architectural styles in India are an outset of the cultural, political, and social beliefs of the region. One such style of temple architecture prevailed in Deccan and Central India, between the Vindhayas and the river Krishna, called the ‘Vesara’ architecture. The Vesara style of architecture does not have an independent origin of its own but it is said to have been influenced by both the ‘Nagara’ and ‘Dravidian’ style of temple architecture. The Nagara style prevailed in north and central India and the Dravidian style prevailed in south India, giving birth to the Vesara style, also described as the ‘Central Indian temple’ or ‘Deccan architecture’. Being said that, many historians think that the Vesara style originated in Karnataka. The Vesara style’s genesis of development happened during the reign of Chalunkyan rulers of Badami in the 7 th and 8 th centuries A.D., but it flourished during the period of Rashtrakutas of Manyakheta (750-983 AD) in Ellora and other places and was later epitomized by Hoysala empire. The main important feature of the Vesara style is that they have the Na...

Vesara, which is Sanskrit for “mule,” is a hybrid ‘offspring’ of Nagara and Dravida, two different styles of architecture. The Chalukyan monarchs of the Deccan significantly affected how this form of temple construction emerged, was used, and was refined. Because of this, this style of temple construction is also known as “Chalukyan Style of Temple Architecture.” As the two primary orders of temple architecture—Nagara and Dravida—begin to fully emerge, it becomes obvious that they are primarily found in North and South India. However, the Deccan area of Peninsular India represents this hybrid style that was referred to as “Vesara” over time. Between the 7th and 13th centuries, this architectural style flourished as a highly florid architectural design in the Chalukya (North & Central Karnataka), Hoyasala (South Karnataka), and Kakatiya (Hyderabad, Warangal, and neighbouring areas) temples. It was primarily present in Maharashtra, Karnataka, and the Andhra region. This style did not, however, appear overnight. In the middle of the 7th century A.D., Vesara styled temple building developed under the patronage of subsequent Chalukya emperors. Chalukya architects experimented with many structures and shapes as a result of their tremendous creative curiosity, producing beautiful works of art. Vimana and Mandapa were given priority by these emperors. As a starting point, they employed a ground plan in the form of a star or stellate. Following that, they began to decorate the wall...

The UPSC notes for the most important and searched topic are given in this article. The vesara style of architecture at UPSC is significant for your examination. Go through the knowledge presented over in the article. You can attain good scores with incredible revision of the essential concepts and topics. So, elevate your Also Read: Trips Waiver UPSC: Check Out the Trips Agreement Information for UPSC Notes! Vesara Style of Architecture UPSC The candidates of this examination look here and there to catch all the relevant content for the updated topics. If you want to grab the details for this topic, the Vesara form of architecture flourished within the Deccan part of India. Additionally referred to as the Hybridised style, it combines options of Nagara and Dravida designs. This style was promoted largely by the rulers of Chalukya’s and Hoysala. Vesara is a combination of Nagara and Dravidian kind of temple design. The term Vesara is believed to have been derived from the Sanskrit word vishra meaning a section to require an extended walk. Several historians agree that the Vesara style originated in what’s these days province. The trend was started by the Chalukyas of Badami (500-753AD) who designed temples in a style that was basically a combination of the Nagara and also the Dravida designs, additional refined by the Rashtrakutas of Manyakheta (750- 983AD) in Ellora, Chalukyas of Kalyani (983-1195 AD) in Lakkundi, Dambal, Gadag, etc. and epitomized by the Hoysalas (1000-1...

Title Originality and Origination of Vesara Architecture Publication Type Thesis Year of Publication 1993 Authors Advisor Institution Pennsylvania Language English Keywords Abstract This dissertation explores intentionality in Indian temple architecture by analyzing a group of 11th century stone monuments built in the Karnataka region of southern India. These monuments are called Vesara in art historical literature. Vesara evolved in the northern part of Karnataka in the 11th century and remained the standard form of architecture there and in neighboring areas for at least three centuries. Using a textual definition for Vesara as "hybrid," (sankara in a 12th-century South Indian text, the Kamikagama; "mule" in popular Sanskrit parlance), scholars have defined Vesara as a mixture of two different forms of regional architecture, namely the South Indian (Dravida) and the North Indian (Nagara). Within an evolutionary scheme, this mixture is also described as a late and flamboyant outgrowth of the typical South Indian, Dravida, temple. The dissertation argues that both these explanations evolve within perspectives other than Vesara's own, principally that of regional scholarship studying North and South Indian architecture. The exploration of Vesara's intentionality during the 11th century differs fundamentally from those perspectives in that their periphery is analyzed as a geographical and conceptual center. The history of Vesara architecture is examined in a series of experi...

MENU MENU • • • • • • • • • • • • • • • • • • • • • Current Affairs • • • • • • Quizzes(Prelims) • • • • • • • Mains • • • • • • • • • Analyticas: Optional Subjects • • • • • • • • • • • • • • • • • • • • • Current Affairs • • • • • • • • • • • • • Quizzes • • • • • • • • Mains • • • Interview • • • Questions Papers & Syllabus • • • • • • • • • • • • • • General Studies – 1 • • • • • • • • • General Studies – 2 • • • • • General Studies – 3 • • • • • • • General Studies – 4 • • • Solution C Explanation: Ancient Indian temples are classified in three broad types. This classification is based on different architectural styles, employed in the construction of these temples. The three types are- Nagara, Vesara and Dravida. Nagara style temples are found in Northern India, Vesara style temples in region between Vindhyas and the river Krishna and Dravida style temples are found between Godavari and Krishna rivers. Hence, option C is correct • Nagaraor North Indian Temple Style in North India it is common for an entire temple to be built on a stone platform with steps leading up to it. Further, unlike in South India it does not usually have elaborate boundary walls or gateways. • Vesarais one of a number of terms for a distinct stylistic tradition of Indian Hindu temple architecture primarily used in the Deccan, parts of North India and Central India, between the Vindhyas and the river Krishna. • Dravidian architectureor the South Indian temple style is an architectural idiom in ...

In the previous posts, we have read the Vesara and Hoysala Style of Temple Architecture. Vesara Style of Temple Architecture The Vesara Style is a hybrid temple architecture. It has features of both the Nagara and Dravidian style of temple architecture. As we know that the Nagara Style is prevalent in North and Central India Dravidian Style is prevalent in South India. So as the hybrid that is the Vesara style of temple architecture is mainly found in Deccan and Central India region. Vesara Style of Temple Architecture The Vesara Style emerged during the reign of Chalunkyan Rulers. Though the trend of the Vesara Style of temples started by the Chalukyan Rulers. But it flourished during the Rashtrakutas Period. Rashtrakutas were the feudatories of Chalukyas. So, after the decline of Chalukya Empire, they captured the throne. Features of Vesara Style of Architecture The main important feature of the Vesara Style is that they have Northern Indian Style ( Shikhara and the Mandap was designed in Southern Indian Style ( Shikhara (top of the temple) and Mandap (main shrine) are joint by the Antarala. So, the temples do not have ambulatory passageways around Sanctum Sanctorum. Dodda Bassapa Temple at Dambal These temples do not have ambulatory passageways around Sanctum Sanctorum. The pillars, door frames, and ceilings of the temples are intricately carved. Examples: • Dodda Bassapa Temple at Dambal. • Ladkhan Temple at Aihole. • Temples at the Chalukyan Capital Badami etc. Badami...

• Vesara style of temple architecture emerged and flourished mainly in the Karnataka region. • It is a hybrid form of temple architecture formed by an amalgamation of the northern Nagara style and the southern Dravida style of temple architecture. • It uses the plan and shape of the southern India temples, whereas the details resemble that of Northern Indian temples. • Origin and evolution: • The Vesara style has roots in the styles prevalent in the Dharwar region, between the Krishna and Tungabhadra rivers. • The experimentation of mixing north Indian temple elements with those of the southern India temples started in the 7th century, specifically under the Chalukyas of Badami (500-753 CE). • Examples: Pattadakal Temple, Mahakuta Temple (near Badami), the Swarga Brahma temple at Alampur, and the Durga temple at Aihole. • The hybridization and incorporation of several styles was the hallmark of Chalukyan buildings. • • This style developed further under the Rashtrakutas of Manyakheta (750-983 CE). Examples: • Kailashnath temple at Ellora. • The Vesara style took its own identity under the later Western Chalukyas of Kalyani (983-1195 CE). By this time, it was not a simple mixing of the two styles but rather an architectural invention formed by their creative synthesis. • Under the Hoysalas, the Vesara style reached its climax. They used soft soapstone to build temples, which enabled them to carve out brilliant sculptures. Examples: • Chennakeshava Temple, Belur, • Hoysalesw...