Whose period was known as the golden age of kangra school of miniature painting

The rise of Instead of painting flattering portraits of their masters and love scenes, the artistes adopted themes of eternal love between Radha and Krishna. The paintings were naturalistic and employed cool, fresh colors. The colors were extracted from minerals, vegetables, and possessed enamel-like luster. Verdant greenery of the landscape, brooks, springs were the recurrent images on the miniatures. Maharaja Sansar Chand was an ardent devotee of Krishna and used to commission artists to paint subjects based on the loves and life of Krishna. The Guler-Kangra art is the art of drawing and the drawing is precise and fluid, lyrical, and naturalistic. In these styles, the faces are well modeled and shaded so judiciously that they possess almost porcelain-like delicacy. The sentiment of love remained the inspiration and the central theme of Pahari painting. The Sat Sai depictions of the legendary lovers, on the other hand, were set against an architectural background with walls, balconies, and windows. Kangra paintings influenced by the Bhagavatha Purana portrayed incidents from the life of the young Krishna, against the Brindavan forest or river Yamuna. The other popular themes were the stories of Nala and Damayanti, and those from Keshavdas’s Baramasa. Features of Kangra Painting : One striking feature of Kangra paintings is the verdant greenery it depicts. The style is naturalistic, and great attention is paid to detail. The foliage depicted is vast and varied. This is mad...

Tags: • • • Kangra Miniature painting is one of the schools of Pahari paintings along with Guler, Basholi, Mandi, Chamba and Bilaspur. • Miniatures are small-sized paintings, generally done in watercolor on cloth or paper. • Nadir Shah’s invasion and conquest of Delhi in 1739 resulted in the migration of Mughal artists to the hills to escape the uncertainties of the plains. • These artists found ready patrons in the hills which led to the founding of the Kangra school of painting. • By the mid eighteenth century the Kangra artists developed a new style wherein the source of inspiration was the Vaishnavite traditions. Soft colours including cool blues and greens, and a lyrical treatment of themes distinguished Kangra painting. • The name Kangra style is given to this group of painting for the reason that they are identical in style to the portraits of Raja Sansar Chand of Kangra.

In The Basohlī style began to fade by the mid-18th century, being gradually replaced by the Kāngra style, named after the state of Kāngra but, like the Basohlī style, of much wider prevalence. A curvilinear line, easy flowing rhythms, calmer colours, and a mood… types of Pahari painting • In … and the delicate and lyrical Kangra. Pahari painting—sometimes referred to as Hill painting ( pahārī, “of the hills”)—is closely related in conception and feeling to Rājasthanī painting and shares with the Rājput art of the North Indian plains a preference for depicting legends of the cowherd god Krishna.

MENU MENU • • • • • • • • • • • • • • • • • • • • • Current Affairs • • • • • • Quizzes(Prelims) • • • • • • • Mains • • • • • • • • • Analyticas: Optional Subjects • • • • • • • • • • • • • • • • • • • • • Current Affairs • • • • • • • • • • • • • Quizzes • • • • • • • • Mains • • • Interview • • • Questions Papers & Syllabus • • • • • • • • • • • • • • General Studies – 1 • • • • • • • • • General Studies – 2 • • • • • General Studies – 3 • • • • • • • General Studies – 4 • • • The name Kangra style is given to this group of painting for the reason that they are identical in style to the portraits of Raja Sansar Chand of Kangra. Paintings of the Kangra style are attributed mainly to the Nainsukh family. Some of the Pahari painters found patronage in the Punjab under Maharaja Ranjit Singh and the Sikh nobility in the beginning of the 19th century and executed portraits and other miniatures in a modified version of the Kangra style which continued till the middle of the 19th century. Salient features of this school of art: • The delicacy of drawing and quality of naturalism are the stand-out features of this school of art • The Kangra style is by far the most poetic and lyrical of Indian styles marked with serene beauty and delicacy of execution. • Distinctive is the delineation of the female face, with a straight nose in line with the forehead, which came in vogue around the 1790s, is the most distinctive feature of this style. • Most popular themes that were painted were...

The devotional artworks produced by the Kangra School is one of the finest gifts of India to the art world. Named for the region of its origination, Kangra, Himachal Pradesh, being the former princely state who patronized the founding artists of the school. As the Basohli School of painting began to dwindle in the mid-18th century, the Kangra School soon became prominent, producing such a magnitude in paintings, both in depth of content and number of individual works, that the broad Pahari School itself came to be known as Kangra. Pahari paintings, as the name suggests, were executed by artists living in the hilly regions of India, in the sub-Himalayan state of Himachal Pradesh. The Kangra School emerged from their development and modification of Pahari paintings. Under the patronage of Maharaja Sansar Chand (c. 1765-1823), it became the most important center of Pahari painting. This great art originated in the small state Guler, in the Lower Himalayas during the early 18th century, when a family of Kashmiri painters trained in Mughal style sought shelter at the court of Raja Dalip Singh (r. 1695-1741) of Guler. The rise of Guler paintings began in what is now characterized as the Early phase of Kangra Kalam. These new painters began to associate with the local artists and were greatly influenced by the natural environment. Instead of painting flattering portraits of their patrons or other contemporary scenes, these artistes adopted themes of the transcendental pastimes of...

The Gods Sing and Dance for Shiva and Parvati, attributed to Kangra painting ( Though the main centres of Kangra paintings are Pahari paintings, as the name suggests, were paintings executed in the hilly regions of India, in the sub-Himalayan state of To see some of these masterpieces one can visit the Maharaja Sansar Chand Museum, adjoining the Kangra Fort in Kangra Himachal, founded by the erstwhile Royal Family of Kangra. History [ ] Raja Balwant Singh’s Vision of Krishna and Radha by This great art originated in This style reached its zenith during the reign of The Guler-Kangra art is the art of drawing and the drawing is precise and fluid, lyrical, and naturalistic. In these styles, the faces are well modeled and shaded so judiciously that they possess almost porcelain-like delicacy. Themes [ ] A woman preparing a meal. Kangra, c. 1810. One striking feature of Kangra paintings is the verdant greenery it depicts. The style is naturalistic, and great attention is paid to detail. The foliage depicted is vast and varied. This is made noticeable by using multiple shades of green. The Kangra paintings feature flowering plants and creepers, leafless trees, rivulets, and brooks. The Kangra artists adopted various shades of the primary colors and used delicate and fresher hues. For instance, they used a light pink on the upper hills to indicate distance. Kangra paintings depict the feminine charm in a very graceful manner. Facial features are soft and refined. The female figur...

Guler was a small precolonial Guler State is famous as the birthplace of History [ ] Early history [ ] According to legends, the Guler state was founded at an uncertain date between 1405 and 1450 by Raja Hari Chand. One fateful day, he fell into a dry well while hunting. Since no one could find him, the Raja was presumed dead and his brother was then named the Raja of Sikh Empire and British Raj [ ] In 1813, Guler state was annexed by the [ citation needed] Rulers [ ] A list of rulers of the Guler state who formerly bore the title Rajas [ ] • 1247- 1267. Hari Chander • 1271- 1292. Gun Chand • 1293- 1310. Udhan Chander • 1310 - 1333. Swaran Chand • 1333- 1347. Gyan Chander • 1348 - 1367. Narender Chander • 1367 - 1389. Udhen Chander • 1389 - 1414. Rattan Chander • 1415 - 1433. Garud Chander • 1433 - 1438. Gambhir Chand • 1448 - 1464. Abhay Chander • 1464 - 1471. Uttam Chander • 1481 - 1503. Prithvi Chander • 1503 - 1526 Karan Chander • 1526 – 1550 Ram Chand (Fifteenth ruler) • 1550 – Jagdish Chand • 1568 - Rup Chand • • • 1635 – 1661 Man Singh • 1661 – 1675 Vikram Singh • 1695 – 1741 Dalip Singh (b. 1688 – d. 1741) • 1695 – 1705 Bilas Devi (f) -Regent • 1730 – 1741 Govardhan Singh -Regent (b. 1713 – d. 1773) • • 1773 – 1790 Prakash Singh (b. 1748 – d. 1820) • 1790 – 1813 Bhup Singh (b. 1765 – d. 1826) Guler paintings [ ] The Mughals had a considerable impact on the socio-cultural and political sphere of the hilly areas. The Mughal influence provided an important impetus to ...

Miniature paintings are executed on a very small scale for books or albums on perishable material such as paper and cloth. In India, the Pala miniature paintings, which date back to 11th century, are the earliest evidences of miniature painting tradition. In due course of time, the different schools of miniature painting emerged in different geographical locations across the country. The 10th century illustrated Buddhist text, Prajnaparamita, is the earliest known example of painting where a canvas of micro, or miniature size made its debut. However, the golden period for miniature paintings was the 16th century when various schools of paintings were provided patronage by the Mughals, rulers of Deccan and Malwa, and Hindu chieftains of Rajasthan. This led to the development of important schools of paintings such as Mughal, Rajput and Deccan schools. The Mughal paintings of India had included the elements of Hindu, Persian, and European styles. The Tuti-nama and Hamzanama was important works accomplished during the reign of Akbar. Jahangir is known to have focused on specialization and study of nature. Aurangzeb almost banned painting at his court. This forced Mughal artists to migrate to various provinces, where the Mughal art transformed into the provincial Mughal style. One of the most important reasons that so many artistic traditions flourished in India during the Mughal era was the political stability and vital social and economic structures. Rajasthan witnessed the d...