The school for good and evil

The first kidnappings happened two hundred years before. Some years it was two boys taken, some years two girls, sometimes one of each. But if at first the choices seemed random, soon the pattern became clear. One was always beautiful and good, the child every parent wanted as their own. The other was homely and odd, an outcast from birth. An opposing pair, plucked from youth and spirited away. This year, best friends Sophie and Agatha are about to discover where all the lost children go: the fabled School for Good & Evil, where ordinary boys and girls are trained to be fairy tale heroes and villains. As the most beautiful girl in Gavaldon, Sophie has dreamed of being kidnapped into an enchanted world her whole life. With her pink dresses, glass slippers, and devotion to good deeds, she knows she’ll earn top marks at the School for Good and graduate a storybook princess. Meanwhile Agatha, with her shapeless black frocks, wicked pet cat, and dislike of nearly everyone, seems a natural fit for the School for Evil. But when the two girls are swept into the Endless Woods, they find their fortunes reversed—Sophie’s dumped in the School for Evil to take Uglification, Death Curses, and Henchmen Training, while Agatha finds herself in the School For Good, thrust amongst handsome princes and fair maidens for classes in Princess Etiquette and Animal Communication. But what if the mistake is actually the first clue to discovering who Sophie and Agatha really are…? Soman Chainani’s de...

In the village of Gavaldon, two misfits and best friends, Sophie (Sophia Anne Caruso) and Agatha (Sofia Wylie), share the unlikeliest of bonds. Sophie, a lover of fairy tales, dreams of escaping her ordinary village life, while Agatha, with her grim aesthetic, has the makings of a real witch. Then one night under a blood red moon, a powerful force sweeps them away to the School for Good and Evil -- where the true story of every great fairy tale begins. Yet something is amiss from the start: Sophie is dropped into the School for Evil, run by the glamourous and acid-tongued Lady Lesso (Charlize Theron), and Agatha in the School for Good, overseen by the sunny and kind Professor Dovey (Kerry Washington). As if navigating classes with the offspring of Cinderella, Captain Hook, and the dashing son of King Arthur (Jamie Flatters) wasn't hard enough, according to the Schoolmaster (Laurence Fishburne), only true love's kiss can change the rules and send the girls to their rightful school. But when a dark and dangerous figure (Kit Young) with mysterious ties to Sophie reemerges and threatens to destroy the school and the rulebook entirely -- the only way to a happy ending is to survive the fairytale first. Show More • Rating: PG-13 • Genre: Drama, Action, Fantasy • Original Language: English • Director: • Producer: • Writer: • Release Date (Streaming): Oct 19, 2022 • Runtime: 2h 29m • Production Co: Universal Pictures, Roth Films, Feigco Entertainment, Netflix, Jane Startz Producti...

"Giant sets" were built to illustrate the intricate world created by Soman Chainani. Considering he admitted the endeavor was quite costly, Deadline asked Paul Feig about the fantastical project's budget, but he declined to reveal an exact number. Ireland's "19th-century house and garden Mount Stewart in County Down and Ulster’s conifer-clad Big Dog Forest" also acted as filming locations. And while that's amazing, it doesn't seem like money was ever an issue. "It’s an expensive movie. As we went along, when we realized we would need more money for this and this, [Netflix] would pony it up," Paul relayed. "They were into the vision and they were really happy with what we were doing with it," he continued. Apparently, Netflix happily made it rain on The School for Good and Evil.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied. Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish). Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13) • 13 • • • • Good has won every fairy-tale contest with Evil for centuries, but a dark sor...

"Giant sets" were built to illustrate the intricate world created by Soman Chainani. Considering he admitted the endeavor was quite costly, Deadline asked Paul Feig about the fantastical project's budget, but he declined to reveal an exact number. Ireland's "19th-century house and garden Mount Stewart in County Down and Ulster’s conifer-clad Big Dog Forest" also acted as filming locations. And while that's amazing, it doesn't seem like money was ever an issue. "It’s an expensive movie. As we went along, when we realized we would need more money for this and this, [Netflix] would pony it up," Paul relayed. "They were into the vision and they were really happy with what we were doing with it," he continued. Apparently, Netflix happily made it rain on The School for Good and Evil.

The first kidnappings happened two hundred years before. Some years it was two boys taken, some years two girls, sometimes one of each. But if at first the choices seemed random, soon the pattern became clear. One was always beautiful and good, the child every parent wanted as their own. The other was homely and odd, an outcast from birth. An opposing pair, plucked from youth and spirited away. This year, best friends Sophie and Agatha are about to discover where all the lost children go: the fabled School for Good & Evil, where ordinary boys and girls are trained to be fairy tale heroes and villains. As the most beautiful girl in Gavaldon, Sophie has dreamed of being kidnapped into an enchanted world her whole life. With her pink dresses, glass slippers, and devotion to good deeds, she knows she’ll earn top marks at the School for Good and graduate a storybook princess. Meanwhile Agatha, with her shapeless black frocks, wicked pet cat, and dislike of nearly everyone, seems a natural fit for the School for Evil. But when the two girls are swept into the Endless Woods, they find their fortunes reversed—Sophie’s dumped in the School for Evil to take Uglification, Death Curses, and Henchmen Training, while Agatha finds herself in the School For Good, thrust amongst handsome princes and fair maidens for classes in Princess Etiquette and Animal Communication. But what if the mistake is actually the first clue to discovering who Sophie and Agatha really are…? Soman Chainani’s de...

In the village of Gavaldon, two misfits and best friends, Sophie (Sophia Anne Caruso) and Agatha (Sofia Wylie), share the unlikeliest of bonds. Sophie, a lover of fairy tales, dreams of escaping her ordinary village life, while Agatha, with her grim aesthetic, has the makings of a real witch. Then one night under a blood red moon, a powerful force sweeps them away to the School for Good and Evil -- where the true story of every great fairy tale begins. Yet something is amiss from the start: Sophie is dropped into the School for Evil, run by the glamourous and acid-tongued Lady Lesso (Charlize Theron), and Agatha in the School for Good, overseen by the sunny and kind Professor Dovey (Kerry Washington). As if navigating classes with the offspring of Cinderella, Captain Hook, and the dashing son of King Arthur (Jamie Flatters) wasn't hard enough, according to the Schoolmaster (Laurence Fishburne), only true love's kiss can change the rules and send the girls to their rightful school. But when a dark and dangerous figure (Kit Young) with mysterious ties to Sophie reemerges and threatens to destroy the school and the rulebook entirely -- the only way to a happy ending is to survive the fairytale first. Show More • Rating: PG-13 • Genre: Drama, Action, Fantasy • Original Language: English • Director: • Producer: • Writer: • Release Date (Streaming): Oct 19, 2022 • Runtime: 2h 29m • Production Co: Universal Pictures, Roth Films, Feigco Entertainment, Netflix, Jane Startz Producti...

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied. Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish). Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13) • 13 • • • • Good has won every fairy-tale contest with Evil for centuries, but a dark sor...